In the early 1800s, with early Romanticism in full swing, the German-speaking keyboard player would have been tutored according to the leading instructional texts of the time. These texts all advocated a bearing with a straight, vertical back, with upper arms sticking close to the sides, perched on an elevated bench. This elegant, if restricted, posture may have been of necessity if the performer (female or male!) was wearing a corset, in fashion during the period. The arms descended gracefully to the keys. One advantage was improved accuracy in lateral jumps—with the elbows by the side, there was less latitude for error to land on wrong notes. And the elevated posture afforded a fluid hand motion and precise control of key velocity, which was controlled solely by the middle finger joint, on the light actions of the fortepiano keyboards of the time. But for the pianist of today, how much of the 19th-century technique can be used advantageously when playing on a modern concert grand?
Last Monday, January 23, in a master class at the Manhattan School of Music for five piano students willing to pit their confidence in their pianistic skill against what must be the withering terror of a public examination by one of the most acclaimed piano artists of her generation, Yuja Wang was unsparing in her critiques, as well as in her praise, her encouragement, and her example.
Natalia Suriano is one of a small group of stellar young Argentine pianists who are protégés of Mirian Conti, the New York piano performer, recording artist and educator. Ms. Conti has organized a program of musical competitions in Argentina designed to identify fledgling pianists with the talent to gain admission to, and thrive at, the most competitive musical institutions in the United States. Ms. Suriano’s solo graduate recital was one of the steps on her way to her Master’s degree at the Manhattan School of Music, and to Ms. Conti’s long-term vision of enriching Argentine piano artistry. Continue reading
Frederic Chiu spoke with piaNYC. Below are major excerpts of the phone conversation, which took place on Labor Day, Monday, September 5, 2016, just a few days prior to his performance at the DiMenna center. The order is changed of some of the topics we discussed.
He has named the performance format Classical Smackdown, where he pits one composer against another, and gathers live input from the audience about their reaction, publishing the results on a web page. What was his motivation for starting the Classical Smackdown series? Continue reading
The choice of venue of last night’s performance was at once a stroke of genius and in hindsight obvious, so perfect was the combination of concepts brought into focus during its brief interval, in the crypt of the Church of the Intercession in Sugar Hill. The event showcased the talents of Christina and Michelle Naughton, the twin sisters performing Olivier Messiaen’s Visions de l’Amen for two pianos, in their final appearance in their planned 2015-2016 season. Continue reading
This recent article in local news source The Island Now (Long Island) explains the dedication and sacrifice of pianist Miao Hou and her parents to nurture her musical talent from an early age in China. Now she is head of the Long Island school where my daughter is enrolled for her piano studies!
When Leopold Godowsky wrote of his sensational Berlin debut in 1900, he noted that every pianist and piano instructor in the city was in attendance. So it must be in New York, for a performer at the International Keyboard Institute and Festival, a yearly two-week-long feast of classical keyboard musicianship and education held at Hunter College. This night, the penultimate to feature headlining performers at the Kaye Playhouse, Xiayin Wang pleased immensely both pianistic elite and ordinary classical music lover alike. Continue reading
Over the next two weeks, why not take the time and sit in on a free master class at the International Keyboard Institute and Festival!
Master instructors announced thus far include: Alexander Kobrin, Dmitry Rachmanov, Eduard Zilberkant, Emanuel Krasovsky, Geoffrey Burleson, Jeffrey Swann, Jerome Rose, José Ramos Santana (pictured above), Massimiliano Ferrati, Mykola Suk, Nina Lelchuk, Stanislav Khristenko and Victor Rosenbaum. The IKIF schedule is updated frequently, so check it for the latest classes.
Jon Weber, just having arrived back in New York and direct from the airport, entertained young and old (and in-between) today as the featured performer at Piano in Bryant Park. On the bill were numbers from the American Songbook including by Hoagy Carmichael, George Gershwin, Fats Waller (if my ear was right), whoever wrote Happy Birthday, and many more. What a swinging way to spend my lunchtime! Jon will be playing in the park Wednesday and Friday from 12:30 to 2:30, and Thursday from 2 to 4 with a sing-along.